Manifest
Posted on: January 17, 2012
This Sunday was part of Martin Luther King, Jr. weekend, and I wanted to be sure to attend a service that marked the occasion. I decided to worship on Sunday morning at a well-respected African-American megachurch that has a satellite campus in our town. I have developed a nice collegial relationship with one of the pastors there, and the worship and preaching are always stellar.
This time, however, the transcendent moment came from a choir anthem, sung by a magnificent choir that was at least 75 voices strong. The anthem was called “Manifest.” Although online sources credit T.D. Jakes, whose church choir made a famous recording of it, the piece was written by Jonathan Nelson and John Paul McGee. The version by Jakes’ The Potter’s House Choir is below (there is preaching at the beginning, skip ahead to 2:25 to hear the music), but you can listen to Nelson’s more mellow recording here. The rendition I heard was far more free-form, as the soloist and choir leader led each other and followed the movement of the Spirit as they repeated certain refrains, took the crowd to a crescendo and let each section of the anthem go on as long as it needed to.
I wavered for the first two verses about whether I would be drawn into the song or not.
Pregnant possibilities now birth anew,
travailing to obtain it for it must come to pass.
I decree it, declare it, and call it in the Spirit
to become what God’s designed me to be.
Your future, your promises shall be fulfilled,
yes, you shall obtain it for it must come to pass.
Creeping in the background, I could see the images of the prosperity gospel, which I think is a twisted, evil distortion of the gospel of sacrifice and service. However, I loved the idea of pregnant possibilities, and the call to become everything God has designed us to be. In the context of Martin Luther King Jr.’s life and death, I remembered something I heard about the power and importance of the black church. (There’s probably a famous quote to this effect from a famous preacher, but I don’t remember it.) All week long, out in the world, black people are despised and filled with the lie that they are worthless. On Sunday morning, the church tells them the real truth: that they are holy and whole and loved and powerful. Worship gives the community strength and healing to face the world knowing the truth of who they are. I decided to go with this message, and let myself be moved by the power of the song. In the end, “moved” doesn’t even begin to describe my experience.
The choir began repeating the same refrain: “I decree it, declare it, and call it in the Spirit/to become what God’s designed me to be.” They built it up to a crescendo, and a young woman took the microphone and began to sing out above them, increasing the intensity. Together, she and the choir were not simply singing a song anymore—their words were acting like the Word, the Word that calls worlds into being, the Word whose utterances are entities in themselves, the Word whose voice is power and light and hope incarnate. As they sang “I decree it, declare it,” I could see the bodies and souls of the choir members taking on the design that God had for each of them, becoming wholly a vehicle of God’s praise. As we in the congregation stood and joined them, their decree and declaration took hold of us as well, calling down the Spirit to shape us into God’s design for our lives, so that we too could become vessels of God’s glory.
The culminating moment came when the choir began to repeat the title word: “manifest.” Over and over, with power and might, with chords and discords, with prayer and supplication they sang out: “Manifest!” At first, it was a pleading prayer to the Holy One, urging the Divine to come into our midst, to manifest among us. I recalled the Isaiah passage from the first Sunday of Advent: “O that you would tear open the heavens and come down!” (Isaiah 64:1) With the voices, I ached for God to manifest in our presence, a theophany. Their pleading grew bolder, and it was like they were issuing a command to the Almighty’s own self. Like a petulant child: “Get down here right now! Manifest!”
As the intensity grew, something in me shifted, and I realized it was a command—but not to the Almighty. The anthem was a command to ourselves. Manifest! Manifest God! Right here, right now. Manifest God in your life. Manifest God in your words and your deeds. Manifest God in your own body. Get rid of all that baggage and those useless pursuits. Become what God has designed you to be. Manifest!
The soloist continued, but her words were lost on me. All I heard was the choir proclaiming the Word: Manifest! The song reached its climax and began to wind down, turning quiet and introspective in the repeated refrain: “become what God designed you to be.” It was then that I realized that the song was itself a manifestation. By their song, the choir had actually made manifest the presence of the Spirit in our midst. Then they had manifest that Spirit in us, sweeping the congregation into the Spirit’s work. We heard the truth that we are loved by God, and called by God to love others. The power of the music became the power of God. The Word was again made flesh, manifest in that hour of worship in voices and bodies lifted in praise and turned toward what God designed us to be. Thanks be to God.
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