Archive for January 2015
The Morning and the Evening by Joan Williams, 1961, re-published 2014 as e-book by Open Road Media, 214 pp.
From time to time, I receive requests from authors and publishers to read and review their books. Almost always, the books are nothing of interest to me–self-published novels or works of Christian writers whose theology is likely far different than my own. I decline politely, because I just don’t have time or energy to read books I don’t want to read, and I know that the author or publisher is not likely interested in an unfavorable review anyway.
This book by Joan Williams was an exception, and I’m so glad the folks at Open Road Media reached out to me. The Morning and the Evening was originally published in 1961, when it was among the finalists for a National Book Award. Williams was an inspiring young author who was deeply influenced by William Faulkner, with whom she carried on a lengthy affair. I love Faulkner, and regularly use the National Book Award nominees as a means to find quality fiction, so I decided to give this a try. It was a huge gift.
The Morning and the Evening is the story of Jake Darby and the people of Marigold, Mississippi. Jake is a 40-year old mute whose lives a simple life with his mother. Because he cannot communicate, it’s unclear to those around him just how much Jake comprehends about his world, if anything. Williams allows us to glimpse inside Jake’s world from his perspective, where we see the world through his simple eyes–what he sees, senses, observes, which is limited to only one thing at a time.
The book is as much about the people of Marigold as it is about Jake, and especially their relationship with him. We watch as some people treat Jake with kindness, others with cruelty, others with indifference or annoyance. Some even fear him. When Jake’s mother dies, the townspeople must figure out what will become of Jake. Williams invites us into their lives too, their sins and hopes and sorrows. Each one is crafted with care and depth, no stereotypes or archetypes anywhere to be found. Williams writes stories of ordinary women that no one notices, and each one is unique. Her African-American characters don’t quite avoid stereotypes and rise to the same level of sophistication, but they are not flat either.
I loved this book from beginning to end. The characters were likable and relatable, and the plot unfolded in a compelling way with the tension about what would happen to Jake. I cried when it ended, and I wanted to stay in Marigold and hear more from these characters I had met along the way.
Williams’ writing is exquisite. I saw the Faulkner connection through the character of Jake, reminiscent of Vardaman Bundren in As I Lay Dying or Benjamin Compson in The Sound and the Fury, and in the small-town Mississippi cast of characters. I was also reminded of Olive Kittredge by Elizabeth Strout, with the way that the various character’s stories all interacted with Jake’s. However, Joan Williams has her own voice and style that is simple and beautiful.
I am grateful that Open Road Media has made this book and the rest of Joan Williams’ collection available again via e-book. I have another Williams book they sent me to review, and I can’t wait to get to it. You should head over to Amazon and add it to your e-reader now.
The Valley of Amazement by Amy Tan, HarperCollins, 2013, 589 pp.
This is Amy Tan’s most epic novel to date. As always, she crosses generations and continents, with a dual emphasis on relationships between mothers and daughters, and the coming together of Chinese and American cultures. Unfortunately, the epic length of this book is not supported by a story or characters worthy of nearly 600 pages. While it was a good story, well written and new, it felt slow and excessive, like it was altogether too much information. I would have adored the story if it had been less than 400 pages (and, yes, I think it could have been told just as well in that span–somethings were just unnecessary). Even so, Tan’s writing and a compelling setting saved the day.
The story centers on Violet, a young girl who is the daughter of a Chinese man and American woman, being raised in a first-class courtesan house in Shanghai at the beginning of the 20th century. Her mother, Lulu/Lucia/Lucretia, is the owner of the courtesan house, which specializes in bringing together Western and Chinese businessmen. Her mother partners with Golden Dove, a Chinese courtesan who helped her start the business. Violet and her mother never find an easy intimacy as mother and daughter (this is an Amy Tan book, after all). MILD SPOILERS HERE: Events when Violet is 14 lead to a forced separation, as her mother sails to America and Violet is sold as a courtesan. A former courtesan from her mother’s house, Magic Cloud, becomes her companion and advisor. The book then explores the way a particular pattern of both circumstances and attitudes plays out across three generations.
Most of the story is Violet’s, and the book would have been better if it had remained so. The lengthy back-story about Lulu was interesting, but it could have been told with much greater brevity. The back-story of the third generation in the last 100 pages felt wholly unnecessary (to avoid spoilers, I won’t tell you whether it’s Violet’s daughter or grandmother). None of the main characters (Violet, Lulu and the additional generation) were exceptionally memorable or compelling. It was the two supporting characters–Golden Dove and Magic Cloud–who are the most interesting and compelling. There are a cast of male characters, too, with some good stories and backgrounds.
What made the book worthwhile was the setting. Amy Tan did extensive research into life in Shanghai in the early 20th century, into the roles of the courtesans, into life in Chinese farming villages, and more. She does a beautiful job of capturing that world and bringing it to life. In my imagination, I could picture everything she described–the rooms, the streets, the mountains, the men and women in the courtesan houses, even the subtlety of gestures and silent acknowledgements. I felt the strain and restraint of the prescribed roles in Chinese families and society. That part of the book is masterful, compelling, and fascinating. I enjoyed it very much, even as found myself wading through much of the rest.
The Valley of Amazement would have benefited from a more rigorous editor, but it’s still worth reading, if you’ve got the time to read a really good 400 page novel that lasts for 600 pages.