Chilean Mine Rescue: Made For TV
Posted October 13, 2010on:
I have been captivated by the story of the trapped Chilean miners. I cried when I read about the note reaching the surface 17 days after the collapse of the mine, announcing all 33 were alive and unhurt. I cried again when I read that rescue might not come until Christmas. I rejoiced when the drill broke through, and rescue came early. I am crying again today at the beautiful sight of each one emerging safe and whole into the arms of his family.
The courage, faith and endurance of these men witness to the power and triumph of the human spirit. It is the kind of story that should be told and retold for generations as a testimony to hope and survival. I believe that what it means to be human is to possess these kinds of stories and understand our life through them.
However, I do want to raise a cautionary query. As I have watched this drama unfold, I have been attentive to staging. This story has been presented to the world as though it were not unfolding before us, but as though it were almost already packaged for television and movies. Just today, as I watch the rescue, we are treated to a camera in the mine to capture the send-off from the other trapped miners, a camera in the rescue capsule that shows exactly what the miner is seeing in transit, along with multiple surface cameras to capture the emotions of the waiting families, the work and determination and encouragement of rescue workers and (of course) the presence and involvement of the Chilean president. Each of these cameras has been positioned with a Hollywood director’s care. Someone is directing this show.
The same has been true of the daily briefings and reporting throughout the ordeal. The way that each of the miners has been given a character and identity (the pastor, the musician, the medic, the MacGyver-like mechanic) mimics Hollywood portrayals of disaster and war stories, where nameless and indistinguishable soldiers take on unique archetypal identities. Each day, we get small bits of news unique to each miner, which have obviously been carefully crafted to portray them as courageous, strong and hopeful. This reporting is thanks to the work of three miners, who have been given cameras and sound equipment. One is the official cameraman, the other two are sound engineers. Another miner has been officially named the group poet, writing daily verse about their ordeal and praising rescue workers. (Excellent article here about daily life in the mine.)
Someone is crafting this story, and has been since the very beginning. The narrative of the rescue workers has been meticulously edited to avoid news of major mistakes, and no one is even talking about what caused the collapse in the first place. Here in the U.S., we are always searching first and foremost for someone to blame. This story is all about the hope and courage and ingenuity of the Chilean people.
The lead hero of the story is Chilean president Sebastian Pinera. He has been at the forefront of every briefing, and taken the privilege of announcing every breakthrough. Today, as the miners are rescued one by one in that tiny capsule, he stands at the side of the families, second in line to embrace each one—right before the cameras. Having watched him throughout this media moment, I believe he or one of his closest advisors is responsible for the attention to media direction. He or someone close to him foresaw the captivating nature of the story (and, I add, without cynicism,) the political opportunity for Pinera to become a hero by connecting to the miners.
Here’s my ultimate question, however: is this a problem? Does it matter? We could have been exposed to every bit of the mass information and daily doldrums of this 68-day ordeal, or we could have been exposed to very little—just a pool camera at the rescue site. We could have received this information via a raw feed, or carefully orchestrated for dramatic effect. What difference would that make, ethically? Is there a requirement that we receive raw information? What amount of crafting and spin on a story like this one renders it inauthentic or unjust?
As a professional storyteller (aka preacher), I spend my time every week reading the Bible and trying to figure out how to craft and spin and retell it for dramatic effect, so that it moves the hearts of the listeners and opens them to the Holy Spirit. The Chilean president and his advisors have done the same thing here, except they are attempting to provoke national pride and honor instead of spiritual awakening. We both know that there is a difference between a great story and a great story told by a great storyteller. Is the story any less true because it has been carefully manipulated and told for maximum impact? Or is it an even better story that way?
Stories like that of the Chilean miners captivate us because they are great human stories, in the same way that great human stories of courage and hope have captivated us throughout human history. I praise God today for their rescue, and pray for their healing and peaceful reintegration into their families. And I also ponder these questions about their story and how it is being told. How much has my relationship and emotional response to this story been crafted and directed by storytellers? And how much does that matter? What do you think?